You can master spoken English exactly like a native speaker. You can speak effortlessly, but you must change your study methods. The nine-tape video series and book, "Master Spoken English - Feeling Phonics", was published in and is now in use in 57 different countries. Colleges. A website about Spoken English. Master Spoken English - Feeling Phonic, SpeechMasters. Private Coaching, Small Groups, Teacher Training.
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How to Master Spoken English when you Already know Written English But you can apply the main idea of the book to learning English. Master Spoken English in Americans Way Daily Life Volume(Chinese Edition) in English. will be able to gradually become part of the contents of the book of. Learn to read with phonics, spoken english, reading skills English pronunciation. english as a second language, ESL, phonics, phonetics, English for kids.
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Write a review Rate this item: Preview this item Preview this item. Print book: This is why actors prefer this approach to speech training.
Sensory awareness internalizes vocal energy. It becomes a part of you. List of Operative Words Every drill begins with an Animation showing the precise articulation and contact points for feeling the sound.
That is followed by a Word List of the Operative Words in the exercise to follow. Sustaining the sounds to develop muscle and sense memory 2.
Sustained, but faster moving 3. They have simply learned the "rules" for linking one word into another with intention.
When you've finished this tape, you'll know the rules, too; and with practice you'll become a fluent, polished speaker. Weak Forms A lot of the very small connecting words in speech are so de-emphasized, or unstressed, that they often take on a Weak Form.
For example, the word strong. Practicing both Word Endings and Contractions within a context. Contents of Tape 7: Jump up in pitch on the important word, then step down on the words following.
Intonation and Rhythm Patterns go a long way in carrying the meaning across in English. You can be speaking with perfect pronunciation, but put the stress on the wrong syllable and your whole statement may go without being understood. Likewise with how and where your pitch and inflections rise and fall, and the tempo-rhythms of your speech.
When you've learned to use the American pitch pattern to call attention to the important words in your speech, you become immediately more understandable. You can use these techniques to give your statements a clarity of through-line while you are developing well-focused arguments. Intonation in Sentences Jump Up in Pitch on the important word, step down on the words following. Intonation Within Words This pattern exists in many English words: Jump Up on the first syllable, then Step Down on the syllables following.
Practice Scenes 40 min. Contents of Tape 8: In Scenes 1 and 2, we've taken the liberty of making contractions where they should be, to create a smoother American style.
In Scenes 3 and 4, the emphasis is on intonation and pitch jumps. Note how the speaker always varies slightly the pitch change. In this way, many subtleties of meaning are communicated and the speech never sounds repetitive or "sing-songy". Instead, the intonation communicates a great number of little messages suggesting tempos, energy levels, and emotions that you would never glean from the words alone.
In Scenes 5 and 6, there is more emphasis placed on linking words together, as well as continuing work on Structural and Consonant Action. Putting it All Together With the movie scenes on Tapes 8 and 9 we begin putting it all together: Run-Through of Scene Following the step by step Work-Through of the movie scene, we are prepared to Run-Through the entire scene, working toward complete fluency. More Practice Scenes 70 min.
Contents of Tape 9: Practice scenes comprised from the best dialog from a movie starring Burt Reynolds, Barry Sullivan, and Arthur Kennedy. The dialogue in these scenes is sometimes very fast moving. Try to get familiar with the scene in linked phrases. When you've gotten to where you can go through an entire scene with all the vowels, consonants, linking, and intonation in proper play, you will have accomplished a very demanding exercise.
As you get familiar with a scene, try to stay "in synch" with the speaker and "mirror" exactly the form and feeling of the speaker. The more familiar you get with a scene, the less you will need to focus on the "text" superimposed on the screen, and the more you can concentrate on emulating the speaker's vocal energy.
Lots of practice scenes Lots of practices scenes are comprised of the best dialogue from an action adventure movie shot in West Africa, starring Burt Reynolds, Barry Sullivan, and Arthur Kennedy.
Challenging scenes, broken down into the familiar structure of Operative Words and Linked Phrases, all performed in a Triple-Repetition at three levels of vocal energy. Realistic dialogues employing plenty of weak forms, linking, and American intonation patterns. This practice builds fluency in both speaking and listening.
You can download all the nine tapes of the video series Master Spoken English - Feeling Phonics in one package, or, if you wish, you can download the tapes individually. You can also download a package of 4 DVD's containing the whole series.
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Click to view larger image. Master Spoken English Tape 1: Master Spoken English Tape 3: The four little sounds oo, ih, eh, and uh are big trouble. Master Spoken English Tape 5: Master Spoken English Tape 7: Master Spoken English Tape 9: