Lalitha sahasranamam stotram pdf


SREE LALITHA SAHASRANAMA STOTRAM. Asyashrilalita sahasranama stotras mahamantrasya, vashinyadi vagdevata. Rushayah anushtup chandaha shree. SREE LALITHA SAHASRANAMA STOTRAM. TAMIL SCRIPT. Austin Hindu Temple. Decker Lake Road,. Austin, TX Ph: Page 1 of. SREE LALITHA SAHASRANAMA STOTRAM. DEVANAGARI SCRIPT ( SANSKRITAM). Austin Hindu Temple. Decker Lake Road,. Austin, TX

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Lalitha Sahasranamam Stotram Pdf

Lalita Sahasranama Stotram In Sanskrit / Hindi: Source 1: sanskritdocuments. org | PDF Link| Text Link Source 2: | PDF Link| Text Link. Lalitha Sahasranamam that is part of the Brahmanda Purana, will give .. Mantra is a spiritual approach; the first has wider popular appeal and. Lalitha Trishati can be recited independently. Lalitha Sahasranama stotram can be recited independently or followed by Phalashruti. Only phalashruti is never.

Etymologically, "Lalitha" means "She Who Plays". In the root form vyutpatti , the word "Lalita" means "spontaneous" from which the meaning "easy" is derived and implicitly extends to "play". Lalita Sahasranamam contains the thousand names of the Hindu mother goddess Lalita. It is the only sahasranama that does not repeat a single name [ citation needed ]. Further, in order to maintain the meter, sahasranama s generally use the artifice of adding words like tu, api, ca, and hi, which are conjunctions that do not necessarily add to the meaning of the name except in cases of interpretation.

She killed all his army using Pasupathastra and killed him with Kameshwarasthra. The gods then praised her. She then recreated Manmatha for the good of the world. This story is contained in the first 84 names of the first 34 slokas of Lalitha Sahasranama. This is also called the Rahasya Nama Sahasra the thousand secret names.

Reading,meditating on the meaning of the names would lead to all fulfillment of the devotees. Features in Version 1. Detailed Introduction. Easy and simple swipe page's to navigate to any page along with audio. Play or pause audio on any page while reading the meaning of the Stotram.

Use Seek-bar to navigate to any position in audio along with their respective page. Lalita sahasranama is said to have been composed by eight vaag devis vaag devatas upon the command of Lalita.

The sahasranama says that "One can worship Lalitha only if she wishes us to do so". The text is a dialogue between Hayagriva an avatar of Mahavishnu and sage Agastya. The temple at Thirumeyachur , near Kumbakonam , is said to be where Agastya was initiated into this sahasranama. An alternative version is that the Upanishad Bramham Mutt at Kanchipuram is where this initiation happened.

Lalitha Sahasranamam - Hindupedia, the Hindu Encyclopedia

This sahasranama is held as a sacred text for the worship of the "Divine Mother", Lalita, and is used in the worship of Durga , Parvati , Kali , Lakshmi , Saraswati , Bhagavati , etc. A principal text of Shakti worshipers , it names her various attributes, and these names are organized in the form of a hymn. This sahasranama is used in various modes for the worship of the Divine Mother.

Some of the modes of worship are parayana Recitations , archana , homa etc. This stotra hymn of praise occurs in the Brahmanda Purana history of the universe in the chapter of discussion between Hayagreeva and Agasthya.

Sri Lalita Sahasranama Stotram

Hayagreeva is an incarnation of Vishnu with the head of a horse who is held to be the storehouse of knowledge. Agasthya is one of the sages of yore and one of the stars of the constellation Saptarishi Ursa major.

At the request of Agasthya, Hayagreeva is said to have taught him the thousand holiest names of Lalita. This has been conveyed to us by the sage Maharishi Vyasa. Lalita Sahasranama is the only sahasranama composed by vagdevatas under Lalita's direction.

All the other sahasranamas are said to have been passed on the writings by Maharishi Vyasa. Note that even before Vyasa many worshipped the Devas with Sahasranamas.

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Vyasa did not compose sahasranams, but only popularized them through his writings. Paramashiva is one of the trinity of Hindu pantheons, in charge of moksha layam. He married Sati , the daughter of Daksha. Daksha and Shiva did not get along and consequently Daksha did not invite Shiva for one of the great fire sacrifices that he conducted. Daksha insulted her husband and she jumped into the fire and ended her life. This incident upset Paramashiva and he entered into deep meditation. Sati reincarnated as daughter of Himavat , king of the mountains, and his wife, Mena.

The devas faced an enemy in Tarakasura who had a boon that he could be killed only by a son of Shiva and Parvati. So, to rouse Shiva from his deep meditation, the devas deputed Kamadeva , the God of love who shot his flower arrows at Shiva.

Shiva ended his meditation and in fury for being disturbed, opened his third eye which reduced the God of love to ashes. The Devas and Rati , the wife of Kamadeva requested Shiva to give life to her husband Heeding their request Paramashiva stared at the ashes of Manmatha. From the ashes emanated Bhandasura, who made all the world impotent and ruled from the city called Shonita pura. He started troubling the devas.

Sri Lalita Vishnu Sahasranamastotralu Puranapanda Mohanpublications

The devas then sought the advice of Sage Narada who advised them to conduct a fire sacrifice. From the fire rose Tripura Sundari.

In Lalita Sahasranama, the beginning of the text describes the formless Lalitha with an explicit female form and along with an equally charming consort. This divine couple is named as Kameshvari and Kameshvara.

Kameshvari is described as extremely beautiful, having dark thick long hair with the scent of champaka , ashoka and punnaga flowers. She had the musk tilaka on her forehead, eyelids which appeared as if they were the gate of the house of the God of love, and having eyes like fish playing in the lake of her face.

She had a nose with studs that shone more than the stars, ears with the sun and moon as studs, cheeks which were like the mirror of Padmaraga , beautiful rows of white teeth, and she was chewing thambula with camphor.

She had a voice sweeter than the sound emanating from veena of Sarasvati , and having such a beautiful smile that Kameshvara himself could not take his eyes off her.

She was wearing a mangala sutra and necklaces, with beautiful breasts which were capable of downloading the invaluable love of Kameshvara, having wisps of beautiful hair raising from her belly, her stomach having three pretty folds, and she was wearing red silk tied with a string with red bells.

She had thighs which steal the heart of Kameshvara, knees which looked like crowns made of precious gems, voluptuous legs, upper part of the feet resembling the backs of tortoises, feet which resembled lamps made of gems which could dispel worries from the mind of devotees and a body with the golden red color. Nagara has 25 streets circling it, made of iron, steel, copper, and lead.

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