Explore Yahia adv's board "Magic Moving Images: Animated optical FREE template and tutorial PDF How to make a Phenakistoscope--Optics How To Make . a room, the image bounces on the retina (the light-receiving tissue at the back of the eye) as various .. ed that when the command to move the eyes is sent from the frontal .. View-Master and. Magic Eye are their familiar descendants avail-. From a superbly illustrated book, The Royal Road to Card Magic, this drawing at right .. motion within images, and (3) just as a sequence of varying positions.

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Magic Moving Images Pdf

Print version (PDF). Read first! q Version New induced motion images added q Optical Illusions, Scientific Toys, Visual Effects, and Even a Little Magic. a transparency sheet and a piece of regular paper, he made several illusions that trick your brain into thinking they're actually animated when. We haven't seen a good video illusion in a while. I noticed that bunch of you emailed me this YouTube video of some magic moving pictures.

Print the zoetrope template above. Remember to print A3, and print on cardboard if possible. Cut out the zoetrope frame bottom of the page as instructed. This is where your stem will go; it could be a thick strong straw or something similar. Use the flaps on the base and fold them into three spaces left at the bottom of the zoetrope frame; then fix the base to the zoetrope. Take your stem and work it through the hole in the base; then fix it to the base. Try and have the stem as straight as possible in relation to the base, which should be as even as possible. Cut out the animation strip, and place it inside your zoetrope with the images facing inwards. Look through the slits and start spinning the stem of your zoetrope. Make sure you experiment with different speeds until you see your animation come to life. Remember the first and last frames need to be similar for the animation to keep repeating. For example a walking or running motion can be easy to loop. A ball going into the air and falling back down to where it came from could form an animation loop. A person smiling, then frowning, then returning to a smile can form a loop.

Answer: All of the lines are straight. The black and white blocks are not aligned and thus fool your brain into thinking that the lines are sloping. Answer: There are no triangles. In reality there are only 3 V shapes and 3 shapes that look like Pac-Men. Do you think one line is longer than the other? Answer: They are the same size!

Unusual, hard to find toys - magnets, optical illusions and much more...!

Hard to believe; get out your ruler to measure the lines and see for yourself! Each slide uses two painted glasses, one of which is moved by various means. Himself an occasional instrument maker, Nollet also described a moving slide of a blacksmith working at an anvil.

A pair of long panoramic slides used simultaneously also provided a way to project movement with the magic lantern, and here the central subject that became like the windmill a staple image for more than a century was the representation of ships entering a harbour or a seafaring scene. It is easy to see that this must all be very carefully painted, since the beauty of the representation depends on this alone Now moving lantern illusions were associated with the appearance of ghosts and with a long list of optical deceptions that used refraction and reflection to mystify and confuse the eyes of a viewer.

In in Vienna, the magic lantern itself began to move.

Called by now a Phantasmagoria show, this elaborate exhibition of moving lantern effects and moving slides, was supplemented by the projection of opaque moveable puppets and the use of sophisticated optical trickery. With motion extended to the lantern itself in Phantasmagoria shows25 a wide repertoire of moving images was now available for diverse lantern projections that ranged from scientific lectures to frightening entertainments.

In the nineteenth century the simple mechanical slides of Wiegleb and Musschenbroek became finely machined works of brass gears that illustrated the movements of the planets around the sun, the moon around the earth, constellations across the skies, eclipses of the sun or moon, and many other astronomical events, in sum miniature orrerys that demonstrated the most complex interrelationships of moving bodies. Simultaneously, some of the same mechanical sophistication was applied to the making of Chromatropes, usually two counter-rotating disks painted with elaborate abstract designs that produced an illusion of depth or visual texture.

At first seen just as one of the many optical amusements that were taken up by gentlemen fascinated with recently devised instruments like the microscope, telescope, polemoscope, and portable camera obscura, the magic lantern never developed an experimental purpose that was useful for scientific investigation. Instead, as a device that at its essence was one that could reproduce motion, the magic lantern became the progenitor of the modern media of film and television.

Charles Patin, ebenda. The drawings are in Manuscript Book A, at p. See, for exam ple, W illiam Molyneux, Dioptrica Nova.

Magic Moving Pictures Animated Illusion

A Treatise on Dioptricks, in Two Parts London, Benj. Tooke , Plate 38, Fig. Paris, Chez Jean Jom bert , Planche 63, p. II, Tab. XI, Fig. XIV, Fig. Jena, , p. Tubingae, , p. The often cited edition is for the French translation of this work issued by the sam e publisher as Essai de physique.

Magic Moving Pictures Animated Illusion

Sive Introductio ad Philosophiam Newtonianam. Leiden [Lugduni Batavorum ], Peter Vander. Select objects with the Magic Wand tool Use the Magic Wand tool to select all objects in a document with the same or similar fill attributes such as color and pattern. You can customize the Magic Wand tool to select objects based on stroke weight, stroke color, opacity, or blending mode.

You can also change the tolerances used by the Magic Wand tool to identify similar objects. Do one of the following: To create a new selection, click the object containing the attributes you want to select. All objects with the same attributes that were clicked are selected. To add to the current selection, press Shift and click another object containing the attributes you want to add.

All objects with the same attributes that were clicked are also selected. All objects with the same attributes are removed from the selection. Low tolerance values select objects that are very similar to the object you click; higher tolerance values select objects with a broader range of the selected property. To select objects according to their stroke weight, select Stroke Weight, and then enter a Tolerance value between 0 and points.

To select objects according to their blending mode, select Blending Mode. By default, this preference is off. In some cases, you may want to turn the preference on—for example, when you work with overlapping filled objects and you want to easily select underlying objects. Note: The Object Selection By Path Only preference is not applicable when selecting unfilled objects or when viewing artwork as outlines.

See View artwork as outlines. With Object Selection By Path Only deselected, clicking inside the object and dragging selects and moves an object. Select groups and objects in a group Once objects are grouped, selecting any part of the group with the Selection tool or the Lasso tool selects the entire group. If you are unsure whether an object is a part of a group, select it with the Selection tool.

The Direct-Selection tool and Lasso tool let you select a single path or object that is part of one group or several groups. If you have groups of objects within other groups, you can select the next group in the grouping hierarchy by using the Group-Selection tool. Each successive click adds another subset of grouped objects to the selection.

Drag around part or all of the object. To add or remove a group to the selection, hold down Shift while clicking the group to add or remove. Select objects and groups within groups with the Selection tool Select the Selection tool Double-click a group. The group appears in isolation mode.

Do any of the following: Double-click to select further down into the group structure. Tip: Double-clicking is a handy way to select objects as opposed to faces and edges within a Live Paint group. Click to select an object within the selected group. Draw to add an object to the selected group.

Double-click outside the group to deselect the group. Select a single object within a group Do one of the following: Select the Group Selection tool , and click the object.

To add or remove an object or group to or from the selection with any selection tool , hold down Shift and select the object to add or remove. The object is selected. Click the same object again to select additional groups that are grouped with the selected group until you have selected everything you want to include in your selection.

The third click adds the next group to the selection left ; the fourth click adds the third group right. If you want to select the entire Live Paint group, simply click it with the Selection tool.

Select the Live Paint Selection tool. Move the tool over the Live Paint group until the face or edge you want to select is highlighted.

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